The Story
| Format: | LP Mystery Vinyl |
| Label: | Hardly Art Records |
| Catalogue Number: | HAR136 |
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On their self-titled fourth album, La Luz launch themselves into a new realm of emotional intimacy for a collection of songs steeped in the mysteries of the natural world and the magic of human chemistry that has found manifestation in the musical ESP between guitarist and songwriter Shana Cleveland, bassist Lena Simon, and keyboardist Alice Sandahl.
To help shape La Luz, the band found a kindred spirit in producer Adrian Younge. Though primarily known for his work with hip-hop, soul, and jazz acts, Younge saw in La Luz a shared vision that transcended genre. âWe both create music with the same attitude, and thatâs what I love about them,â he says. âThey are never afraid to be risky and their style is captivating. It was an honor to work with them.â
The result is an album that is both the most naturalistic and psychedelic of the bandâs career. All the elements of classic La Luz are still presentâthe lush harmonies, the impeccable musicianship, the gorgeous melodiesâbut itâs a richer, earthier iteration, replete with inorganic sounds that mimic the surreality of natureâthe humming of invisible bugs, the atmospheric sizzle of a hot day. After spending the last few years living in rural northern California, Clevelandâs lyrics have become more grounded, less interested in traveling to other dimensions than in peeking behind the curtain of this one.
La Luz shimmers into existence with a tender strumming of electric guitar on the ghostly âIn the Country.â The record then charges ahead with the dynamic âThe Pines,â propelled by Simonâs thunderous bassline and punctuated by eerie vibrating keys while Clevelandâs voice hovers high and sweet overheadâno reverb, no fooling. Sandahl leads the way with a soulful Hammond organ on the dreamy, funky âWatching Cartoons,â while the womenâs voices weave in and around each other, coming together in a cascade of âba ba ba baâsâ in the chorus. Later, the band cranks up the atmospherics on madcap stomper âMetal Manâ with a frenzy of ultra-fuzzed out guitar, blaring galactic synths, and epic clanging bells. The recordâs themes coalesce on breezy 70s folk-tinged pop song âI Wonât Hesitate,â an ode to finding intimacy in a weird world, and the languid ballad âLazy Eyes and Dune,â which features lovely Mellotron work from Simon. La Luz is an album that celebrates loveâof music, of friendship, of life in all its forms.
-Mariana Timony
Tracklist
1. In the CountryÂ
2. The PinesÂ
3. La Luz and Adrian Younge - Watching CartoonsÂ
4. Oh, Blue
5. Goodbye GhostÂ
6. Yuba RotÂ
7. Metal ManÂ
8. Lazy Eyes and Dune
9. La Luz and Adrian Younge - Down the StreetÂ
10.IÂ Won't Hesitate
11. Here on EarthÂ
12. Spider House
Description
| Format: | LP Mystery Vinyl |
| Label: | Hardly Art Records |
| Catalogue Number: | HAR136 |
Â
On their self-titled fourth album, La Luz launch themselves into a new realm of emotional intimacy for a collection of songs steeped in the mysteries of the natural world and the magic of human chemistry that has found manifestation in the musical ESP between guitarist and songwriter Shana Cleveland, bassist Lena Simon, and keyboardist Alice Sandahl.
To help shape La Luz, the band found a kindred spirit in producer Adrian Younge. Though primarily known for his work with hip-hop, soul, and jazz acts, Younge saw in La Luz a shared vision that transcended genre. âWe both create music with the same attitude, and thatâs what I love about them,â he says. âThey are never afraid to be risky and their style is captivating. It was an honor to work with them.â
The result is an album that is both the most naturalistic and psychedelic of the bandâs career. All the elements of classic La Luz are still presentâthe lush harmonies, the impeccable musicianship, the gorgeous melodiesâbut itâs a richer, earthier iteration, replete with inorganic sounds that mimic the surreality of natureâthe humming of invisible bugs, the atmospheric sizzle of a hot day. After spending the last few years living in rural northern California, Clevelandâs lyrics have become more grounded, less interested in traveling to other dimensions than in peeking behind the curtain of this one.
La Luz shimmers into existence with a tender strumming of electric guitar on the ghostly âIn the Country.â The record then charges ahead with the dynamic âThe Pines,â propelled by Simonâs thunderous bassline and punctuated by eerie vibrating keys while Clevelandâs voice hovers high and sweet overheadâno reverb, no fooling. Sandahl leads the way with a soulful Hammond organ on the dreamy, funky âWatching Cartoons,â while the womenâs voices weave in and around each other, coming together in a cascade of âba ba ba baâsâ in the chorus. Later, the band cranks up the atmospherics on madcap stomper âMetal Manâ with a frenzy of ultra-fuzzed out guitar, blaring galactic synths, and epic clanging bells. The recordâs themes coalesce on breezy 70s folk-tinged pop song âI Wonât Hesitate,â an ode to finding intimacy in a weird world, and the languid ballad âLazy Eyes and Dune,â which features lovely Mellotron work from Simon. La Luz is an album that celebrates loveâof music, of friendship, of life in all its forms.
-Mariana Timony
Tracklist
1. In the CountryÂ
2. The PinesÂ
3. La Luz and Adrian Younge - Watching CartoonsÂ
4. Oh, Blue
5. Goodbye GhostÂ
6. Yuba RotÂ
7. Metal ManÂ
8. Lazy Eyes and Dune
9. La Luz and Adrian Younge - Down the StreetÂ
10.IÂ Won't Hesitate
11. Here on EarthÂ
12. Spider House

















