The Story
| Release Date | |
| Format | LP Black |
| Label | SST |
| Catalogue Number | SST026LP |
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Black Flagâs third album, Family Man, originally released in 1984 by SST Records, marks one of the most audacious turns in punk history. Splitting its two sides between stark spoken word pieces by Henry Rollins and instrumental tracks driven by Greg Ginn, Kira Roessler and Bill Stevenson, the record fuses feral punk energy with jazz-inspired improvisation and avant-garde noise.
Rollinsâ monologues, darkly reflective and confrontational, established him as a defining voice of the emerging American spoken word movementâone that would later influence figures like Jello Biafra. The instrumental side sees Ginnâs guitar erupt into wild, feedback-drenched forms, offset by Roesslerâs taut bass and Stevensonâs precision drumming, bridging Black Sabbath weight with free jazz chaos.
The recordâs only collaborative track, âArmageddon Manâ, unites these extremes into a volatile whole. Raymond Pettibonâs notorious cover artâa family murder scene captioned âNovember 23rd, 1963ââunderscores the albumâs unflinching vision: a raw, uneasy exploration of violence, alienation and creative rupture.
Tracklist
Side A: Spoken Word
"Family Man"
"Salt on a Slug"
"Hollywood Diary"
"Let Your Fingers Do The Walking"
"Shed Reading (Rattus Norvegicus)"
"No Deposit â No Return"
"Armageddon Man"
Side B: Instrumentals
"Long Lost Dog Of It"
"I Won't Stick Any Of You Unless And Until I Can Stick All Of You!"
"Account For What?"
"The Pups Are Doggin' It"
Description
| Release Date | |
| Format | LP Black |
| Label | SST |
| Catalogue Number | SST026LP |
Â
Black Flagâs third album, Family Man, originally released in 1984 by SST Records, marks one of the most audacious turns in punk history. Splitting its two sides between stark spoken word pieces by Henry Rollins and instrumental tracks driven by Greg Ginn, Kira Roessler and Bill Stevenson, the record fuses feral punk energy with jazz-inspired improvisation and avant-garde noise.
Rollinsâ monologues, darkly reflective and confrontational, established him as a defining voice of the emerging American spoken word movementâone that would later influence figures like Jello Biafra. The instrumental side sees Ginnâs guitar erupt into wild, feedback-drenched forms, offset by Roesslerâs taut bass and Stevensonâs precision drumming, bridging Black Sabbath weight with free jazz chaos.
The recordâs only collaborative track, âArmageddon Manâ, unites these extremes into a volatile whole. Raymond Pettibonâs notorious cover artâa family murder scene captioned âNovember 23rd, 1963ââunderscores the albumâs unflinching vision: a raw, uneasy exploration of violence, alienation and creative rupture.
Tracklist
Side A: Spoken Word
"Family Man"
"Salt on a Slug"
"Hollywood Diary"
"Let Your Fingers Do The Walking"
"Shed Reading (Rattus Norvegicus)"
"No Deposit â No Return"
"Armageddon Man"
Side B: Instrumentals
"Long Lost Dog Of It"
"I Won't Stick Any Of You Unless And Until I Can Stick All Of You!"
"Account For What?"
"The Pups Are Doggin' It"












